However, nothing justifies their loss to Hancock and O’Cain, whose designs are aesthetically and thematically messy. Perhaps the most questionable moment of the season is Danny Godoy’s elimination after Episode Five, “Collaboration.” After Godoy makes seven pieces to his partner Ford’s one, the judges criticize their designs as lacking “elevation”.
The show’s diversity and the hosts’ empathetic ear for the designers’ stories exhibit its honesty among shows studded with tokenism. In one challenge, models sport the designers’ reimaginations of their birth decades, ranging from the ’50s to the ’90s. The seamless diversity of the runway models is also a promising divergence from the exaggerated applause and controversy that often surrounds bodily representation in media. The finalists’ disadvantages in their field imbue the prize with real magnitude, creating hope for an underrepresented designer to claim a space in high fashion with needed financial support. This visibility of the fashion industry’s failings is critical. Qaysean Williams, who has Erb’s palsy, dubs himself the “one hand sewing man.” Vietnamese refugee Tranchi recounts her mother’s job in a sweatshop. In the “Childhood” challenge, transgender designer James Ford reimagines a childhood pre-transition outfit as menswear. While fairly unexceptional in format, the highlight of “Next in Fashion” is its diversity. Any competitiveness is utterly peaceful in comparison to the mayhem of other reality competitions. The decency of the cast speaks for itself. One model accidentally rips Bao Tranchi’s dress, but Tranchi - one of the more businesslike, serious contestants - fixes it and hugs her. The respect between designers and models allows the viewer to appreciate pure creative talent, unmarred by fabricated drama. After a paired challenge in which Nigel Xavier teaches Deontré Hancock some patchwork techniques, Hancock incorporates patchwork into his own design in a gratifying moment of creative osmosis. Still, the contestants and their camaraderie are hard not to like. This season’s contestants are generally more forgettable than last season, with its whimsical and endearing winner Minju Kim. As the cast communicates with a plethora of LGBTQ slang (“big slay,” “it’s giving,” and even the fearsome critique “crafty” of “RuPaul’s Drag Race”), they share a common trendy language but invent nothing iconic or memorable. Backstories containing the typical tearjerkers consume the rest of their speaking time, coming off as part of the reality formula, as genuine as they are. Hadid and France’s genuine care for the contestants - evidenced by their tears over some eliminations - is undermined by want for the quirky, unscripted conversations that render all of the contestants’ personalities more accessible to the viewer. Though sweet and bubbly, the “Next in Fashion'' duo aren’t quite engaging enough to match the show’s strongest element: the fashion. Both sets of hosts even start each episode with a theme-appropriate skit. Holding hands, making up nicknames (“Tanny?”), and visiting workstations, Hadid and France emulate the “Great British Bake Off”’s beloved hosts Mel Giedroyc and Sue Perkins. The hosts’ outfits are also fun, especially when Hadid shows up in her 2022 Met Gala look for the “Met Gala” themed episode - the viewer is bound to fangirl as much as the designers.Īs surreal as Gigi Hadid’s presence is, she and co-host Tan France - of “Queer Eye” fame - are warmly human. It’s pure fun to form one’s opinions during the runway shows, with the vicarious eye of an haute couture stylist. Yet the designers’ much more sophisticated creations are anything but. She’s not the only celebrity appearance: Guest judges include Donatella Versace, Emma Chamberlain, and Hailey Bieber.Īt times, “Next in Fashion”’s neon aesthetic and nonstop hip-hop and pop backing tracks teeter on tiring. Also different from season one: Gigi Hadid’s replacement of fellow model Alexa Chung as host. Slightly different from season one, this season’s prizes include $200,000 and a collection launch on Rent the Runway, a luxury clothing rental service.
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While not the showstopper in Netflix’s expanding reality TV collection, “Next in Fashion” is an upbeat, diverse, and decidedly less infuriating production from the streaming service’s now-polished reality show mold. In several days or even hours, designers race to construct fashionable looks according to a theme, which are presented on the runway before the judges decide who to crown and who to eliminate. On March 3, Netflix released season two of “Next in Fashion,” its reality competition show following 12 fashion designers battling to win the competition. What is Gigi Hadid doing on Netflix reality TV?
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